Stella crosses Lundagård by bicycle after an evening at Tegnérs and notices the statue of poet, professor and bishop Esaias Tegnér. Adam is also somewhere in this park when Ulrika telephones him.
Lundagård represents historic, respectable Lund: the university, scholarship and civic continuity. The park was laid out in the eighteenth century on ground that had formed part of the medieval archbishop's complex; the Tegnér statue was unveiled in 1853.
Against this setting, Stella's nocturnal movements may feel transgressive. Yet the novel keeps asking whether her behaviour is evidence of wrongdoing or simply evidence that she has a life her parents do not understand. How quickly do adults turn ordinary teenage secrecy into a sign of guilt?